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IARC catalogue classic available on vinyl for the first time !!!\n\nAnteloper is the electric brain child of jaimie branch (fly or die, high life) and Jason Nazary (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.  \n \nOriginally released on cassette only, Anteloper’s debut album Kudu was named one of the ‘Best Albums of 2018’ by Rolling Stone, Pop Matters, Nextbop, and Bandcamp. In his piece for Rolling Stone, Hank Shteamer said: \n \n“The album’s collision of fractured beats and pealing, effects-heavy brass suggests a punk-minded update of Miles Davis’ most thrillingly weird Seventies explorations, heard on albums like Get Up With It. This is music for serious immersion.” \u003c\/p\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":40044137185339,"sku":"Q1 - 2022","price":17.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/products\/a2913497311_10.jpg?v=1644419449"},{"product_id":"ornette-coleman-free-jazz","title":"Ornette Coleman - Free Jazz (LP)","description":"","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":40073469919291,"sku":"635259","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Speakers-Corner-Ornette-Coleman-Free-Jazz-LP_7dfecfcd-8700-4acf-9d12-ad09a5460321.jpg?v=1738092689"},{"product_id":"albert-ayler-quartet-the-hilversum-session","title":"Albert Ayler Quartet - The Hilversum Session","description":"\u003cp\u003eOur Swimmer is pleased to present the first official vinyl reissue of The Hilversum Session in over thirty years.\n\nJazz iconoclast Albert Ayler took the experimental leanings of contemporaries like John Coltrane and Ornette Coleman as a starting point and then blasted them to stratospheric extremes, creating some of the most polarizing and brilliant music of the 20th Century. In particular, 1964 was a pivotal – and well documented – year in the free jazz artist’s career. After returning to New York, Ayler assembled a brilliant group with Sunny Murray on drums and Gary Peacock on bass, recording Spiritual Unity, Ayler’s first record for the legendary ESP-Disk’ label, that summer.\n\nSoon after that session, Ayler took his trio to Europe where they were joined by cornetist Don Cherry for a tour of The Netherlands, Sweden, and Denmark. The Hilversum Session is a live radio session recorded on November 9th, 1964. At that point the quartet was months into its European tour and the interplay is extraordinary. 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Indeed, this album finds him involved in every aspect of the process, from making the string-drums that the music is based upon, to playing all parts of the music, mixing them, and doing the cover art, too! Frankly, we’re surprised Chris didn’t self-release it as well — but we’re also psyched that he didn’t. This is a spe- cial album, bringing his encompassing focus on free improvisation and noise into a granular fusion with acoustic experiments and ideations of hard rock riffing and the post-punk sound. In Chris Corsano’s collaborations over time with Paul Flaherty, Joe McPhee, Dredd Foole, Michael Flower, Paul Dunmall, Bill Orcutt, Nate Wooley, Mette Rasmussen, C. Spencer Yeh, Ben Chasny \u0026amp; Sir Richard Bishop (as individuals, and together as Rangda), Bill Nace, Wally Shoup, Evan Parker and dozens of other players, it’s clear the vibe may get intense\/heavy\/OUT. Accessing this place, in itself, is an incredible calling — but on The Key (Became The Important Thing [\u0026amp; Then Just Faded Away]), the intensity radiates entirely from inside Chris’s process, in conversation with himself. And that’s something that hit a bit different once he was done making it. The pieces here were largely built out of Chris’s string drum playing, utilizing a setup he’s created involving a silicone string, stretched across a snare drum with a bridge. When the string is hit, it resonates the drum — a conception similar to that of the banjo, but with more of a bass tone. Several songs focus on Chris playing a bass string drum with a full kit, while the basic parts of two other pieces (“I Don’t Have Missions,” “The Full-Measure Wash Down”) implied possibili- ties for full band arrangements which Chris was compelled to respond to himself. This isn’t the first time he’s made overdubbed music, Corsano-on-Corsano style — jump in the Bandcamp time machine to hear the Corsano “Band”s 2010 re- lease, High and Dry — but it did have the effect of feeling unusually personal. The process of exploration and discovery uniquely informed and shaped the music, implying not just sounds and passages, but structures of songs them- selves. In addition to the several synapse-clearing full-band arrangements, Chris’s solo drumkit performances with the bass string drum take flight, the shape of their movement based on interaction with its marvelous acoustics. Further, Chris’s gui- tar playing on “I Don’t Have Missions,” a semi-unconscious attempt to Frankenstein together the influences of several of his six-string collaborators, locates a new awesome space in his music facilitated through and furthering the sounds found playing the string drum. All the results on the tape, when listened back, found a higher order, transcending sequences of experimentation and technique, becoming much more than the sum of an internal conversation, standing together as a set of insistently compelling pieces of a whole. And so they became The Key (Became the Important Thing [\u0026amp; Then Just Faded Away]). They unlocked something in Chris Corsano — and us too. 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The ban on the play, which was watched by 30,000 people in 60 days, did not last long.\" - Turkish Press, 1970\u003c\/p\u003e\r\n\u003cp\u003eMeticulously restored from the original master tape, remastered and cut by Shawn Joseph at Optimum Mastering, Bristol, UK.Includes liner notes by Zeynep Oral (James Baldwin's assistant and journalist), Gökhan Akçura, Okay Temiz, and record producer Erinç Güzel (Caz Plak İstanbul).\u003c\/p\u003e\r\n\u003cp\u003eIn 1970, Turkish theater owner Engin Cezzar produced James Baldwin's groundbreaking play about gay relationships in a 1970s Istanbul prison setting. In 1969, jazz musician Don Cherry, visiting Istanbul with Okay Temiz to record an album, reunited with Baldwin and contributed music to the production. 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Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly. The album emerged during an extraordinarily fertile period for Sun Ra in late-‘70s New York. Between 1978 and 1982, Ra “occupied” Variety Recording Studios on West 42nd Street, often staging marathon sessions following late-night Arkestra gigs around the city — from the Village Vanguard to Sweet Basil and even a wedding in Central Park. These were not just recordings; they were rituals. Ra and his core players — John Gilmore, Marshall Allen, June Tyson, Michael Ray, and others — would begin sessions mid-morning, often continuing past midnight, much to the dismay of the studio owner. Out of this creative whirlwind came some of his most enduring work, including A Fireside Chat With Lucifer, On Jupiter, and Sleeping Beauty. Across its three tracks, Sleeping Beauty showcases the Arkestra’s gentler side. From the dreamy sway of “Springtime Again” to the funk-deep uplift of “Door Of The Cosmos” and the title track’s meditative drift, this is music that floats, beckons, and unfolds. It’s a record of hypnotic beauty and quiet power — cosmic jazz for dreamers and seekers alike. This new edition features a selected version of the hand-drawn original cover, embossed with the Sun Ra logo and housed in a heavyweight card sleeve. Liner notes come courtesy of Arkestra member Knoel Scott and Sun Ra authority Paul Griffiths. Remastered by Technology Works. “Music is a language. You see, it’s not notes — it’s a language of the spirit. That’s why it’s so important.” – Sun Ra \u003c\/p\u003e","brand":"Sun Ra","offers":[{"title":"Default Title","offer_id":55072972439896,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Sun-Ra-Sleeping-beauty.jpg?v=1749776359"},{"product_id":"pharoah-sanders-izipho-zam-my-gifts-lp","title":"Pharoah Sanders - Izipho Zam (My Gifts) (LP)","description":"\u003cp\u003ePharoah Sanders' Izipho Zam (My Gifts) is a groundbreaking jazz masterpiece. Recorded in 1969, two years after John Coltrane's passing, and released in 1973 on Strata-East, the album features a 13-member ensemble, including Sonny Sharrock, Lonnie Liston Smith, Cecil McBee, and Leon Thomas. Blending Eastern influences with expansive jazz, Sanders’ genius is highlighted with \"Prince of Peace,\" showcasing Thomas' unique vocals, and the 28-minute title track, offering an exploration of dissonance and harmony with West African percussion and meditative chants. Pressed on 180 gram vinyl at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Harmony Holiday and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.\u003c\/p\u003e","brand":"Pharoah Sanders","offers":[{"title":"Default Title","offer_id":55542891184472,"sku":null,"price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Pharoah-Sanders-Izipho-zam-my-gifts.jpg?v=1755669968"},{"product_id":"ornette-coleman-double-quartet-free-jazz-lp","title":"Ornette Coleman Double Quartet - Free jazz (LP)","description":"\u003cp\u003eFree Jazz: A Collective Improvisation is a studio album by American jazz saxophonist Ornette Coleman, released in September 1961. The recording session took place on December 21, 1960, at A\u0026amp;R Studios in New York City. The album is named after the then-nascent free jazz movement. The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. The album features what Coleman called a \"double quartet,\" i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. The two quartets are heard in separate channels, with Coleman's working quartet at the time in the left channel, and the second quartet, including the former Coleman rhythm section of Charlie Haden and Ed Blackwell, on the right. The two quartets play simultaneously. Free Jazz was the first album-length improvisation at thirty-seven minutes, unheard of at the time. The original LP package incorporated Jackson Pollock's 1954 painting The White Light. The cover is a gatefold with a cutout window in the lower right corner allowing a glimpse of the painting; opening the cover revealed the full artwork, along with liner notes by critic Martin Williams. Free Jazz served as the blueprint for later large-ensemble free jazz recordings such as Ascension by John Coltrane and Machine Gun by Peter Brötzmann. Free Jazz is available as a limited edition of 1000 individually numbered copies on white coloured vinyl\u003c\/p\u003e","brand":"Ornette Coleman Double Quartet","offers":[{"title":"Default Title","offer_id":55916630868312,"sku":null,"price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Ornette-Coleman-Double-Quartet-Free-jazz.jpg?v=1759967135"},{"product_id":"natural-information-society-perserverance-flow-lp","title":"Natural Information Society - Perserverance Flow (LP)","description":"\u003cp\u003eAnnouncing Perseverance Flow, the latest album from acclaimed Chicago-based ensemble Natural Information Society (NIS), release date 2024-10-24. After a trilogy of double LPs by expanded manifestations of the band that began in 2018 with Mandatory Reality \u0026amp; continued through Since Time Is Gravity (a Pitchfork Best Jazz \u0026amp; Experimental Album of the Year selection \u0026amp; Mojo’s #1 Underground Album of 2023), NIS returns to its core formation of Lisa Alvarado on harmonium, Mikel Patrick Avery on drums, Jason Stein on bass clarinet, \u0026amp; composer\/multi-instrumentalist Joshua Abrams on guimbri for one continuous 37 minute composition across a single LP. As the rocket boosters on spaceship earth sputter closer to burnout, lower your stylus into a soundfield that grows stronger the deeper you travel into it; a dose of the medicine many of us look to music to deliver awaits you inside. \u003c\/p\u003e\r\n\u003cp\u003eOne of the deep contemplations of this natural information (thanks Bill Callahan) is the wide range of source materials Abrams draws from over the band’s more than 15 year history: Ideas from minimalism, modal jazz \u0026amp; traditional musics are regularly reimagined in these compositions. The 2021 double LP descension (Out of Our Constrictions), with guest soloist Evan Parker, reflected aspects of Abrams’ love of party music, Chicago house, \u0026amp; John Coltrane. *But even veteran travelers with the NIS best brace themselves for the Perseverance Flow.\u003c\/p\u003e\r\n\u003cp\u003eSpeaking to the history \u0026amp; the inspirations behind the album, Abrams offers: “We played the piece for a year in concert before the recording. At Electrical (Audio Studios, Chicago) we went in at 11 \u0026amp; were done in time to pick our kids up from school.” Abrams continues: \"In a reference world, I imagine Perseverance Flow like a live extended realization of a Jaylib lost instrumental as remixed by Kevin Shields. Or vice versa. 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Ra also continued his touring in Europe with historic gigs in Italy. During this period, Arkestra live performances were often loosely structured into thematic blocks that moved from reflections on jazz history to cosmic “space narrative” sections featuring collective chants, extended Africa\/Egypt-inspired grooves and selections from the Great American Songbook. This recording brings in all of these features with re imagined versions of standards like ‘Take The “A” Train’, ‘St. Louis Blues’ and title track ‘Over The Rainbow’ alongside rarely recorded Ra compositions like ‘Make Another Mistake’ and ‘Amen Meni Many Amens’. Ra conducted improvisations to guide the listener seamlessly from one musical scene to the next. As Sun Ra himself described it: “It’s like a party—we enjoy ourselves and everybody’s invited to enjoy it with us.”\u003c\/p\u003e\r\n\u003cp\u003eThe original version of Somewhere Over the Rainbow assembled a handful of clearly delineated tracks drawn from the flow of two complete concert recordings, re-arranged out of sequence. Strut’s new edition restores previously excised material and preserves more of the natural transitions between pieces, offering a fuller glimpse into the distinctive aesthetic of Sun Ra and his Arkestra.\u003c\/p\u003e\r\n\u003cp\u003eThis definitive reissue is pressed across two CDs, or three vinyl LPs housed in a triple gatefold sleeve, newly remastered by Technology Works from the original source tapes and features extensive new liner notes by Chris Cutler alongside video stills from the original concert. \u003c\/p\u003e","brand":"Strut Records","offers":[{"title":"Default Title","offer_id":57413603426648,"sku":null,"price":46.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Sun-Ra-Somewhere-over-the-rainbow.jpg?v=1780328677"},{"product_id":"used-john-mclaughlin-dave-holland-john-surman-stu-martin-karl-berger-where-fortune-smiles","title":"USED - John McLaughlin, Dave Holland, John Surman, Stu Martin, Karl Berger - Where Fortune Smiles","description":"\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMedia:\u003c\/strong\u003e Very Good Plus (VG+) — Very good copy! Close to NM, only a light mark at the beginning of A1\u003cbr\u003e\u003cstrong\u003eSleeve:\u003c\/strong\u003e Very Good (VG) — Sleeve in good shape. Some storage wear, minor discoloration and light ring wear, more visible inside the gatefold. Small part torn on the top left corner and 'paint' stains on the right one, front cover. Store sticker on the back cover.\u003c\/p\u003e\u003ch2\u003eTracklisting\u003c\/h2\u003e\u003cpre\u003eA1  Glancing Backwards  8:54\nA2  Earth Bound Hearts  4:15\nA3  Where Fortune Smiles  4:01\nB1  New Place, Old Place  10:24\nB2  Hope  7:19\u003c\/pre\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cpre\u003eBass, Producer: Dave Holland\nDrums, Producer: Stu Martin\nEngineer: David Baker\nGuitar, Producer: John McLaughlin\nLiner Notes: Brian Belvins\nPiano, Producer: Karl Berger\nSaxophone, Producer: John Surman\u003c\/pre\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dawn (7) (DNLS 3018)\u003c\/p\u003e\u003ch2\u003eNotes\u003c\/h2\u003e\u003cp\u003eVery similar to [r=1770566] but with another label layout:\n- there are no side indicators on the labels, except in the small print\n- 'stereo' is on the left hand side of the labels\n\n\u003c\/p\u003e","brand":"3345 Second Hand","offers":[{"title":"Default Title","offer_id":57491735511384,"sku":"AAX - 6","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/LAlztFD0oiP_hXYt2ECoLNwaeRAeP3caqwKNAmI0nLc.jpg?v=1781171889"},{"product_id":"amiri-baraka-new-music-new-poetry-lp","title":"Amiri Baraka - New Music - New Poetry (LP)","description":"\u003cp\u003eA seamless blend of the avant jazz of David Murray (sax) and Steve McCall (drums) with the powerful prose and cadence of Amiri Baraka! This first ever reissue of poet and social\/political activist Amiri Baraka’s electric live 1982 beat poetry reading is newly remastered and includes a zine-style poetry insert and liner notes by David Murray!\u003c\/p\u003e","brand":"Amiri Baraka","offers":[{"title":"Default Title","offer_id":57594390020440,"sku":null,"price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Amiri-Baraka-New-music-new-poetry.jpg?v=1782778931"},{"product_id":"dollar-brand-don-cherry-carlos-ward-the-third-world-underground-lp","title":"Dollar Brand \/ Don Cherry \/ Carlos Ward - The Third World-Underground (LP)","description":"\u003cp\u003eWewantsounds is honoured to announce the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Following Ibrahim’s recent passing, this long-awaited edition is all the more relevant. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians’ discographies, the performance skilfully blends jazz with rich South African rhythms and global influences. This definitive reissue features fully remastered audio, the original artwork, and a booklet with new bilingual liner notes (Eng\/Fr) by Jacques Denis.\u003c\/p\u003e\r\n\u003cp\u003e- Highly sought-after album only released in Japan in 1974\u003cbr\u003e- First ever release of the album outside of Japan and first vinyl reissue since 1974\u003cbr\u003e- Remastered from the original Masters by Colorsound Studio, Paris\u003cbr\u003e- Original artwork featuring new liner notes by Jacques Denis (Eng\/Fr)\u003c\/p\u003e","brand":"Wewantsounds","offers":[{"title":"Default Title","offer_id":57726226825560,"sku":null,"price":33.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Dollar-Brand-Don-Cherry-Carlos-Ward-The-third-world-undrground.jpg?v=1784154490"},{"product_id":"used-don-cherry-mu-first-part","title":"USED - Don Cherry - \"Mu\" First Part","description":"\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMedia:\u003c\/strong\u003e Very Good Plus (VG+) — Great copy, only a few surface marks.\u003cbr\u003e\u003cstrong\u003eSleeve:\u003c\/strong\u003e Very Good Plus (VG+) — Sleeve in good shape, minor storage and edge wear. Very light ringwear.\u003c\/p\u003e\u003ch2\u003eTracklisting\u003c\/h2\u003e\u003cpre\u003eA1  Brilliant Action  8:50\nA2  Omejelo  7:25\nA3  Total Vibration (Part 1)  3:00\nB1  Total Vibration (Part 2)  6:00\nB2  Sun Of The East  7:30\nB3  Terrestrial Beings  4:42\u003c\/pre\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cpre\u003eCoordinator [Coordination]: Jacques Bisceglia\nDrums: Ed Blackwell\nEngineer: Daniel Vallancien\nPhotography By: Jacques Bisceglia\nProducer: Jean Georgakarakos\nProducer: Jean-Luc Young\nTrumpet [Pocket], Piano, Flute [Indian, Bamboo], Arranged By [All Tunes]: Don Cherry\u003c\/pre\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Affinity (AFF 8)\u003c\/p\u003e\u003ch2\u003eNotes\u003c\/h2\u003e\u003cp\u003eRecorded August 22, 1969, Studio Saravah, Paris\r\n\r\nLabels:\r\n(P) 1970\r\nManufactured and distributed by Pye Records (Sales) Ltd \r\n\u003c\/p\u003e","brand":"3345 Second Hand","offers":[{"title":"Default Title","offer_id":57730083520856,"sku":"ABJ - 68","price":8.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/0-MqxiN4CKzHJ_e4iPau7zB_hmGYOGAmZRMkkWynMes.jpg?v=1784214092"},{"product_id":"used-ornette-coleman-of-human-feelings","title":"USED - Ornette Coleman - Of Human Feelings","description":"\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMedia:\u003c\/strong\u003e Very Good Plus (VG+) — VG++\u003cbr\u003e\u003cstrong\u003eSleeve:\u003c\/strong\u003e Very Good Plus (VG+) — Sleeve in good shape. Darker stain on the bottom left corner. Rest of the cover is lightly yellowed from time but storage wear is not severe.\u003c\/p\u003e\u003ch2\u003eTracklisting\u003c\/h2\u003e\u003cpre\u003eA1  Sleep Talk  3:31\nA2  Jump Street  4:19\nA3  Him And Her  4:15\nA4  Air Ship  6:01\nB1  What Is The Name Of That Song?  3:56\nB2  Job Mob  4:51\nB3  Love Words  2:50\nB4  Times Square  6:00\u003c\/pre\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cpre\u003eA\u0026amp;R [A\u0026amp;R Consultant]: Steve Backer\nAlto Saxophone: Ornette Coleman\nBass Guitar: Jamaaladeen Tacuma\nComposed By: Ornette Coleman\nDesign [Cover]: Peter Corriston\nDrums: Calvin Weston\nDrums: Denardo Coleman\nEngineer: Ron St. Germain\nEngineer [Second]: Harold Jarowsky\nEngineer [Tape Operator]: Ken Robertson\nEnsemble: Prime Time (5)\nExecutive-Producer [Executive Director]: Ronald Goldstein\nGuitar: Bern Nix\nGuitar: Charles Ellerbee\nLacquer Cut By: Joe Gastwirt\nManagement [Personal]: Sid Bernstein\nManagement [Personal]: Sid Bernstein Associates\nManagement [Personal]: Stan Bernstein\nMastered By: Joe Gastwirt\nPainting [Cover]: Susan Bernstein\nPhotography By [Backliner]: Steven Mark Needham\nProducer: Ornette Coleman\u003c\/pre\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Antilles (AN-2001), Antilles (AN 2001)\u003c\/p\u003e\u003ch2\u003eNotes\u003c\/h2\u003e\u003cp\u003eRecorded: April 25, 1979 at Columbia Recording Studio, N.Y., N.Y.\nRecorded on: Sony PCM 1600 digital 2-track recorder\n\nDisc labels:\nⓅ 1982 Original sound recording made by Island Records, Inc.\n\nDisc label side B:\nMade in Gt Britain\n\ncat# on sleeve, spine \"AN-2001\"\ncat# on disc labels \"AN 2001\"\u003c\/p\u003e","brand":"3345 Second Hand","offers":[{"title":"Default Title","offer_id":57730279113048,"sku":"ABJ - 69","price":13.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/I2vtQdvtoX6rCnRNzJRfXfNlH31MOhrsLkRt72W4dwo.jpg?v=1784216674"},{"product_id":"used-charlie-haden-closeness","title":"USED - Charlie Haden - Closeness","description":"\u003ch2\u003eCondition\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMedia:\u003c\/strong\u003e Near Mint (NM or M-) — looks unplayed\u003cbr\u003e\u003cstrong\u003eSleeve:\u003c\/strong\u003e Very Good Plus (VG+) — small tear on front upper right edge, inner opening of trifold is coming loose, needs o be reglued\u003c\/p\u003e\u003ch2\u003eTracklisting\u003c\/h2\u003e\u003cpre\u003eA1  Ellen David  9:12\nA2  O.C.  9:28\nB1  For Turiya  12:24\nB2  For A Free Portugal  7:55\u003c\/pre\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cpre\u003eArt Direction: Roland Young (3)\nArtwork [Front Cover]: David McMacken\nArtwork [Ornette Coleman]: Steve Miller (7)\nArtwork [Portrait]: Nancy Riegelman\nCreative Director: John Snyder\nDesign: Phil Shima\nEngineer [Assisted By, Generation]: Tony May\nEngineer [Assisted By, Kendun]: Geoff Sykes\nEngineer [Engineered By], Mixed By [Mixing Engineer]: Baker Bigsby\nLiner Notes: Alice Coltrane\nLiner Notes: Charlie Haden\nLiner Notes: Keith Jarrett\nLiner Notes: Ornette Coleman\nLiner Notes: Paul Motion\nPhotography By [Back Photo]: Bob Seidemann\nPhotography By [Ellen David]: Larry Dupont\nPhotography By [Frelimo Vincera]: Harry Mittman\nPhotography By [Keith Jarrett, Courtesy Of]: ABC-Records\nPhotography By [Ornette Coleman, Paul Motion]: James Fee\nPhotography By [Turiya Alice Coltrane]: Philip Melnick\nProducer [Produced By]: Ed Michel\nWritten-By: Charlie Haden\u003c\/pre\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Horizon (3) (SP-710), A\u0026amp;M Records (SP-710), Horizon (3) (11)\u003c\/p\u003e\u003ch2\u003eNotes\u003c\/h2\u003e\u003cp\u003eIn full-color printed Unipak sleeve. \n\nA1 recorded at Generation Sound, New York City, March 18, 1976\nA2 recorded at Generation Sound, New York City, March 21, 1976\nB1 recorded at Kendun Recorders, Burbank, California, January 26, 1976 \nB2 recorded at Generation Sound, New York City, March 21, 1976\nMixed at Westlake Audio, Los Angeles and Kendun Recorders, Burbank\n\nB2 includes excerpts of contemporary Angolan music taken from the album [url=https:\/\/www.discogs.com\/release\/5542314-Various-Africa-In-Revolutionary-Music]African In Revolutionary Music[\/url] on [l671712]. \n\nRunouts are etched, except KENDUN (which is stamped.)\u003c\/p\u003e","brand":"3345 Second Hand","offers":[{"title":"Default Title","offer_id":57823606243672,"sku":"ABQ - 25","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/t2CSS6Z3n4oWbRXlAm5mZ5sI_zsUTBZTyJXiFkIzL_4.jpg?v=1785248461"}],"url":"https:\/\/3345.nl\/collections\/free-jazz.oembed","provider":"3345 Record Store The Hague","version":"1.0","type":"link"}