{"title":"New Releases Of June 2026","description":null,"products":[{"product_id":"the-who-live-in-voorburg-1973-lp","title":"The Who - Live In Voorburg 1973 (LP)","description":"","brand":"The Who","offers":[{"title":"Default Title","offer_id":56561346511192,"sku":null,"price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/The-Who-Live-At-Voorburg.jpg?v=1786095618"},{"product_id":"tara-clerkin-trio-somewhere-good-cd","title":"Tara Clerkin Trio - Somewhere Good (CD)","description":"\u003cp\u003eIf – in some parallel universe (or perhaps a not-so-distant-future version of the one we’re already sentenced to living in) – the evil overloads of artificial intelligence were actually successful in their attempts to create convincingly enjoyable “original music,” more specifically tasked with wholly encapsulating my own personal tastes by data-chugging some cocktail of – oh, I don’t know – the posters on my wall, the records in my “most listened to” pile, the mixtapes I made for others, intensive physical scans of my auditory cortex, amygdala, hippocampus, heart strings, whatever else they have splayed out on their autopsy table with the intention of generating one all-encompassing “perfect band” based on the fruitful sum of their findings – that band, for me, would be (or would at least sound exactly like) the Tara Clerkin Trio. It is, quite simply, without exception, the music I wish to hear.\u003c\/p\u003e\r\n\u003cp\u003eFormed in Bristol UK (where none of them are from yet all of whom are deeply engrained) in 2020, the Tara Clerkin Trio – as it somewhat democratically exists today, despite the singular authority implied by its name – consists of the titular Tara Clerkin, her partner Sunny Joe Paradisos, and Sunny’s brother, Patrick Benjamin. I’ll confess, I don’t know what their respective roles are within the operation and there’s only a very small part of me that cares to learn, as one of my favorite qualities in an objective listening experience is the mystery of who is playing what, which sounds are “authentic” versus synthesized, which chunks are performed “live” in a room together versus meticulously Frankenstein’ed from measure to measure, or how exactly the overall sound is so (seemingly) effortlessly achieved. Though, I suspect, if and when I do witness a live performance by this band at any point, my enjoyment of the music will not be lost in my better understanding of it.\u003c\/p\u003e","brand":"Tara Clerkin Trio","offers":[{"title":"Default Title","offer_id":56934516818264,"sku":null,"price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Tara-Clerkin-Trio-Somewhere-Good.jpg?v=1773843275"},{"product_id":"horse-lords-demand-to-be-taken-to-heaven-alive-white-vinyl-lp","title":"Horse Lords - Demand to Be Taken to Heaven Alive! (White Vinyl LP)","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. 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The breadth of their sound has encompassed a breathtaking array of dynamics and sonics. Their sound, guided by their indomitable exploratory spirit, exploits contrasts between extremity and subtlety. The trio’s singular, masterful sculpting of sonics into songcraft tucks layers of vulnerability into formidable storms. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty.\u003cbr\u003e\u003cbr\u003ein grief or in hope marks a shift for BIG|BRAVE towards denser, guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist\/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. Each piece is its own biome of distortions starkly contrasted with delicate, even tender, moments. The trio’s instinctual progressions are made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Within texturally maximalist loops and affected vocals, the pieces utilize the aesthetics of drone, electronic, and heavy music within a foundation of pop song form. Wattie writes: \"I wanted to explore catchy, melodic\u003cspan class=\"bcTruncateMore\"\u003e phrasing weaved throughout the intensity of the instrumentation and drony chord changes. All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person.”\u003cbr\u003e\u003cbr\u003eThe tenth album for the ensemble, in grief or in hope pays homage to their past while looking into their future. Standout “the ineptitude for mutual discernment” expands on lyrical themes first explored on 2015’s Au De La where “verdure” echoes melodies from the title track of 2014’s Feral Verdure. These references to their past serve as potent reflection points on BIG|BRAVE’s evolution as artists. A sonic whirlpool of string instruments surrounds Wattie’s commanding vocals as she shifts from spectral undulations on pieces like “what may be the kindest way to leave” to the direct, spare declarations of the title track. 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J Jazz volume 5 sees compilers Tony Higgins and Mike Peden dig ever deeper into their respective record collections to reveal tracks that encompass myriad styles including white hot jazz funk fusion from Toshiyuki Honda (Eastern Legacy) and Mikio Masuda (Sonic Barrier), super rare ethnic jazz crossover by Christal Zone - their one-off 45 promo release from 1971, Rai Rai, a deconstructed and abstract jazz classic by Yasuhiro Kohno with his solo piano rendition of My Favourite Things, and Mile and Half’s skin-tearing, shredding freak-out from their mega rare private press album. A track that is so relentless, it leaves the listener in need of oxygen and a Valium. These hand-picked selections sit alongside other specially chosen numbers that embrace hard-driving samba (Seiichi Nakumura’s Judy’s Samba), epic head-nodding soul jazz (Masaru Imada’s World Line), psychedelic private press fusion (Aoyama Gakuin 101’s Fervor), angular post-bop tear-ups (Akira Miyazawa’s Nijimasu), intense and insistent fusion (Motohiko Hino’s Olive Step), serene cinematic pianism (Hideo Ichikawa’s On the Trade Wind) and tripped-out hallucinogenic tribal funky jazz (Masahiko Sato’s Garandoh’s Africa to Africa). Most of the tracks on this collection are being reissued for the first time, many of them only available previously on extremely limited and mega-rare private press or independent releases. J Jazz volume 5 is a fitting end to a compilation series that helped create a new audience and appreciation of Japanese jazz Some of the albums the tracks are drawn from are featured in the large format book J Jazz: Modern and Free Jazz from Japan 1954-1988, by Tony Higgins and Mike Peden, published by BBE Music in 2024. With almost 7000 words of extensive sleeve notes, J Jazz volume 5 comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip, and comes with a 4-page insert, with photographs from the renowned Tokyo Jazz Joints project. It is also available as a double CD and digital download. Mastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding four volumes that set the bar so high. 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In the cross-genre spirit of the series, for Volume 8 we have selected music from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin, with a hefty chunk of beloved Brazilian music. Pulling these compilations together is always a highlight of our year, and eight volumes in, we feel this is one of our strongest to date. The album’s journey begins with a heartfelt epic by As Ganhadeiras de Itapuã, from the Bahian town of Itapuã. It’s an area of Brazil that holds a special place in David ‘Mr Bongo’ Buttle’s heart, and where he first met our dear friend, Luciano Rodrigues Dos Santos, to whose memory this compilation is dedicated to. Staying in Northern Brazil, next up is a contemporary dancefloor gem by Ubunto, a DJ and producer from Salvador, which also features As Ganhadeiras de Itapuã. The raw, dusty, punchy sounds of zabumba drummer Castanheiro and the furious guitar-heavy dancer by Tyaraju \u0026amp; Dutra are just two more examples of the Brazilian beauties included on the compilation. There is also a heavy dose of soul music on this volume. The Canadian-gospel sounds of Trevor Dandy, a modern-soul rarity by Wil Collins \u0026amp; Willpower (which has been on our list for years), and a soul-stepper masterpiece by Tommy McGee, are just a handful of the highlights. Not stopping there, we are incredibly proud to present an exclusive rework of The Sylvers' ‘Wish That I Could Talk To You’ by the legendary Kenny Dope. Kenny has excelled himself with this one, fattening up the drums while bringing more drama to the horns and strings. The song now feels more contemporary yet still stays true to its roots. Complete genius! Elsewhere on the compilation, you’ll find a cosmic reggae-not-reggae disco oddity by Tapper Zukie, a South African jazz-funk-disco groover by Mac Mathunjwa, a sought-after Brazilian compacto by Eduardo Araújo, and a Brit-funk \/ boogie treasure by Powerline. Traversing time, genre, and location, all the tracks on Volume 8 are favourites for their own unique reasons. Music will forever be a constant source of comfort, able to affect you deeply in the most meaningful ways. It’s the gift that keeps giving, and there is so much more to learn, discover, and share, both old and new. • Volume 8 of the Mr Bongo Record Club series, their in-house curated compilations sharing favourite tracks, hard-fought finds, and unsung gems. • Drawing from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin music, with a hefty chunk of beloved Brazilian cuts. 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Hun negende album Moontan (1973) belandde wereldwijd in de albumlijsten en het meest succesvolle album van de groep in Amerika; de enige die een gouden plaat van de RIAA opleverde. De single Radar Love bereikte de 10de plek in de Cash Box Top 100 en de 13de plek in de Amerikaanse Billboard Hot 100. In Nederland en Spanje werd Radar Love een nummer 1 hit, terwijl ook in Duitsland (#5), Engeland (#7), Canada (#10) en Australië (#10) de top tien werd bereikt. Vervolgens groeide het nummer uit tot een ware internationale classic rock song. In juni 2020 zijn de originele mastertapes van Moontan uit de archieven gehaald voor de eerste én een langverwachte remastered \u0026amp; expanded editie van het album - 48 jaar na de oorspronkelijke release. 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With the task of finishing their first record, the pair borrowed guitars from Tom Greenhalgh of the Mekons and they de-camped to record at Edinburgh’s Palladium Studios and later, Blackwing in London. John Fryer was enlisted to produce (right off handling Nine Inch Nails’ Pretty Hate Machine), utilizing Eventide Harmonizers (a Cocteau Twins staple) to provide the band’s lush, ethereal dazzle.\u003c\/p\u003e\r\n\u003cp\u003eBlow would be released in July of 1992, and arrived in a sleeve designed by Vaughan Oliver (v23). The band found the finished album different than they imagined it would sound. Feeling as though their initial ideas had\u003cbr\u003ebeen lost in the production, they petitioned Ivo to re-record parts of the album; he suggested they remix the tracks as they wished, instead. New mixes and overdubs resulted in dissonant and ambient versions closer to the band’s intentions, Released as Blowback in the autumn of 1992 as a limited CDEP that quickly fell out of print, it was known only to the most\u003cbr\u003efervent 4AD fans.\u003c\/p\u003e\r\n\u003cp\u003eAt long last, Swallow’s 4AD recordings will be paid their due via a new double-LP+ 12” package entitled Blown. Comprising both Blow and Blowback, the previously unreleased title track “Blow”, and “Lovesleep (Vocal Version”). The songs were reconstructed from the original 24-track tape recordings and remixed. They were freshly remastered by Anne Taegart at Dubplates \u0026amp; Mastering Berlin and lovingly presented in a brand new package designed by longtime supporter Chris Bigg (v23). A cornerstone dream pop classic obscured by the mists of time and memory, until now. \u003c\/p\u003e","brand":"Swallow","offers":[{"title":"Default Title","offer_id":57332797112664,"sku":null,"price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Swallow-Blown.jpg?v=1779270817"},{"product_id":"lakecia-benjamin-we-dream-lp","title":"Lakecia Benjamin - We Dream (LP)","description":"","brand":"Lakecia Benjamin","offers":[{"title":"Default Title","offer_id":57369478627672,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Lakecia-Benjamin-We-Dream.jpg?v=1779745876"},{"product_id":"hayden-pedigo-ill-be-waving-as-you-drive-away-diversen","title":"Hayden Pedigo - I'll Be Waving As You Drive Away (diversen)","description":"","brand":"Hayden Pedigo","offers":[{"title":"Default Title","offer_id":57369480069464,"sku":null,"price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Hayden-Pedigo-I-ll-be-waving-as-you-drive-away.jpg?v=1779745923"},{"product_id":"escape-the-fate-theres-no-sympathy-for-the-dead-red-vinyl-lp","title":"Escape The Fate - There's No Sympathy for the Dead (Red Vinyl LP)","description":"","brand":"Escape The Fate","offers":[{"title":"Default Title","offer_id":57369480102232,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Escape-The-Fate-There-s-no-sympathy-for-the-dead.jpg?v=1779745935"},{"product_id":"scarface-the-diary-opaque-red-vinyl-lp","title":"Scarface - The Diary (Opaque Red Vinyl LP)","description":"","brand":"Scarface","offers":[{"title":"Default Title","offer_id":57369480200536,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Scarface-The-Diary_9305e4e6-db3c-4671-955a-421b77aec34f.jpg?v=1779745968"},{"product_id":"scarface-the-diary-cd","title":"Scarface - The Diary (CD)","description":"","brand":"Scarface","offers":[{"title":"Default Title","offer_id":57369480266072,"sku":null,"price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Scarface-The-Diary_1f858c6b-27c6-475b-9a85-8b4cd308b290.jpg?v=1779745980"},{"product_id":"air-pocket-symphony-clear-vinyl-lp","title":"Air - Pocket Symphony (Clear Vinyl LP)","description":"","brand":"Air","offers":[{"title":"Default Title","offer_id":57373126426968,"sku":null,"price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Air-Pocket-symphony.jpg?v=1779802298"},{"product_id":"supertramp-brother-where-you-bound-half-speed-mastering-lp","title":"Supertramp - Brother Where You Bound (Half Speed Mastering LP)","description":"","brand":"Supertramp","offers":[{"title":"Default Title","offer_id":57376821641560,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Supertramp-Brother-Where-You-Bound-Half-Speed-Mastered.jpg?v=1779870695"}],"url":"https:\/\/3345.nl\/collections\/new-releases-of-june-2026.oembed","provider":"3345 Record Store The Hague","version":"1.0","type":"link"}