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S. Lewis' fantasy series The Chronicles of Narnia. It is also the third and final installment in the original Chronicles of Narnia film series. Set three years after the events of Prince Caspian, the film follows the two youngest Pevensie children, Edmund and Lucy, as they return to Narnia to join the new king Caspian in his quest to rescue seven lost lords and to save Narnia from a corrupting evil that resides on a dark island. Composer David Arnold scored the film, with themes composed by Harry Gregson-Williams (who scored the first two films). It was Arnold's fourth collaboration with director Michael Apted. He created specific themes for the characters The Dawn Treader and Reepicheep, and used themes from the previous films for the opening and closing scenes as well as recurring characters, to ensure that the film is consistent with the franchise. The score was performed by an 87-piece orchestra and a 40-piece choir, resulting in an epic soundtrack with just the right magical touch to compliment this film. 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As a teenage musical prodigy, Mac was a songwriter, arranger, A\u0026amp;R guy, and a producer for Ace Records, running sessions with legendary artists. During the 1960s, as a “first call” Los Angeles studio musician, he honed his chops doing session work for artists including Sonny \u0026amp; Cher, Canned Heat, and Frank Zappa. Years later, he developed his persona of Dr. John The Night Tripper and his 1968 debut album, Gris Gris, was a phenomenon, attracting fans across the musical spectrum. Its “I Walk On Guilded Splinters” has been covered by The Allman Brothers, Cher, Paul Weller, The Neville Brothers, and was a centerpiece of Humble Pie’s classic Performance Rockin’ The Fillmore. More singles and albums followed including “Iko Iko” (from Dr. John’s Gumbo) and “Right Place Wrong Time” (which hit #9 on the Billboard Hot 100 in 1973.) Both Gris Gris and Gumbo were listed on Rolling Stone’s Top 500 Albums of All Time, and Dr. John performed In The Right Place’s “Such A Night” at The Band’s 1976 farewell concert—immortalized in The Last Waltz. He would go on to win six Grammy awards and in 2011 was inducted into the Rock and Roll Hall of Fame by John Legend. Now, his singles from those early and influential Atco\/Atlantic years have been collected on Gris Gris Gumbo Ya Ya: Singles 1968–1974 . 26 sides of pure musical medicine from Dr. John. Available as a double LP, the packaging contains liner notes from Gene Sculatti. Featuring the hits “Right Place Wrong Time,” “Iko Iko,” “Such A Night,” and rare single edits of other classics, Gris Gris Gumbo Ya Ya: Singles 1968–1974 is not only the right place to start your Dr. John journey, but the perfect place to relive the classic Atco\/Atlantic albums.\u003c\/div\u003e","brand":"Omnivore Recordings","offers":[{"title":"Default Title","offer_id":58344627044696,"sku":null,"price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Dr-John-Gris-gris-gumbo-ya-ya-singles-1968-1974.jpg?v=1788183406"},{"product_id":"gabor-szabo-dreams-lp-1","title":"Gabor Szabo - Dreams (LP)","description":"\u003cp\u003e\"Mr Bongo proudly presents a reissue of Hungarian guitarist Gabor Szabo’s masterpiece Dreams. Blending lush, Eastern European-tinged psychedelic jazz with beautiful arrangements by Gary McFarland, its unique, delicate, charming sound has entranced record collectors for years. Originally released in 1968 on Skye Records, it’s quite rightly become a sought-after LP, and here at Mr Bongo, we wanted to reissue as close a replica edition as possible. Hungarian-born, Szabo left his home country with his family on the eve of the political uprising, and finally settled in California, USA. He went on to attend Berklee College, and in 1961, he joined the fabulous Chico Hamilton's quintet. Szabo’s time with Chico had a supportive influence on the young guitarist and nurtured his individual guitar sound. You can often instantly recognise Szabo playing on a record just by his guitar tone. He would go on to record a whole host of classic records for the iconic record label Impulse!, and worked with many great musicians such as Lena Horne, Charles Earland, Tom Scott, and Coke Escovedo, to name a few. Szabo’s music would years later become a staple sample source in hip hop culture, with acts such as People Under The Stairs, Black Star (Talib Kweli and Mos Def), Diamond D, and many more utilising his work. Skye Records was set up in 1968 by Norman Schwartz, Gabor Szabo, Cal Tjader, and Gary McFarland, and it was on this label that Dreams was released. Harnessing a mystifying, unique sound that pays homage to Szabo’s Hungarian folk music heritage, Dreams, as its title suggests, has an otherworldly, ethereal feel and a trance-like quality that is deep and meditative. A masterclass in Eastern European folk meets Western psychedelia, all colliding with jazz, the album features a number of tracks penned by Szabo and Gary McFarland, alongside two interpretations of tracks written by the Spanish composer Manuel de Falla. Additionally, there is an epic cover version of Donovan’s ‘Ferris Wheel’, which was also released as a 7” single at the time the album came out. Other highlights include ‘Galatea's Guitar’, a cinematic psych-jazz beauty, reminiscent of The Doors in places. The tender ‘Half The Day Is Night’, with its soothing lullaby texture, features Gary McFarland arrangements at full force. The whole recording is solid all the way through, managing to be easy-listening, but never feeling contrived or saccharine. It has a rich underground spirit bubbling in the background, one recorded for times of relaxation rather than rebellion. Szabo sadly died at the young age of forty-five while visiting his homeland of Budapest. However, he left a legacy through his exceptional music which still enriches listeners today,and will long continue to do so. • Mr Bongo proudly presents a reissue of Hungarian guitarist Gabor Szabo’s 1968 masterpiece Dreams – a long-cherished album for record collectors • Blending lush, Eastern European-tinged psychedelic jazz with beautiful arrangements by Gary McFarland, its unique, delicate, charming sound has entranced record collectors for years. • Vinyl LP housed in gatefold, tip-on sleeve. \"\u003c\/p\u003e","brand":"MR BONGO","offers":[{"title":"Default Title","offer_id":58344629567832,"sku":null,"price":31.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Gabor-Szabo-Dreams_af088f68-0c17-4cb2-9653-7c329b0a354e.jpg?v=1788183420"},{"product_id":"goat-headsoup-lp","title":"Goat - Headsoup (LP)","description":"\u003cp\u003eOriginally released in 2021, this is the first vinyl reissue of Goat’s Headsoup, a compilation of singles, rarities, and previously unreleased tracks. 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A collection of songs hand-carved by the hardships and exaltations of life, and stained with the rich colours of soul and folk music that fuelled artists like Joni Mitchell, Ann Peebles, Neil Young and Donny Hathaway. Pressed on coloured vinyl for the first time, this Coke Bottle Green 2LP edition features an etched Side D.\u003c\/p\u003e","brand":"NETTWERK","offers":[{"title":"Default Title","offer_id":58426530922840,"sku":null,"price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0259\/9403\/5259\/files\/Frazey-Ford-Obadiah.webp?v=1788908097"},{"product_id":"wolves-in-the-throne-room-estuary-orange-marbled-vinyl-lp","title":"Wolves In The Throne Room - Estuary (Orange Marbled Vinyl LP)","description":"\u003cp\u003eFor more than twenty years, WOLVES IN THE THRONE ROOM have been among the most influential representatives of American black metal. 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The album consists entirely of original compositions, with Wayne Shorter contributing the title track, “E.S.P.”, while Herbie Hancock, Ron Carter, Tony Williams and Miles Davis each bring their own material. Today, E.S.P. is regarded as a key album of 1960s modern jazz and the starting point of one of Miles Davis’ most celebrated periods. It remains an essential record for anyone interested in the development of jazz and the extraordinary musicianship of the Second Great Quintet. 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Raised on broadcasts from The Voice of America, he possessed a deeper understanding of the blues than most of his contemporaries. Muskee didn’t want to sing ‘songs,’ as he called them, he wanted to sing the blues, raw and unfiltered, in the tradition of Howlin’ Wolf, John Lee Hooker and Muddy Waters. Their debut single “Stumble \u0026amp; Fall” was recorded in the Bavohuis, a simple gym hall in Amsterdam, with Addy Kleingeld, known from De Vrolijke Mijnwerkers, as producer. But the debut album Desolation marked a turning point, recorded at the Phonogram Studios in Hilversum with renowned blues producer Tony Vos, it captured the band exactly as Muskee intended. The resulting album became a jewel of Dutch music history. Never before had the Netherlands heard a blues singer who poured his emotions into a recording with such conviction and authenticity. Muskee even outshone his British peers. Eric Burdon (The Animals), Paul Jones (Manfred Mann), Mick Jagger (The Rolling Stones) and Van Morrison (Them). At the Grand Gala du Disque, Muskee received an Edison Award for Desolation, handed to him by cabaret artist Wim Sonneveld, whose lukewarm speech couldn’t diminish the significance of the moment. Sixty years later, the legacy of this groundbreaking album still resonates, an essential document of European blues and a defining moment in the story of Cuby + Blizzards. This 60th anniversary edition of Desolation is now available as an expanded 2LP-set including the original 1966 album plus fifteen bonus tracks. The gatefold version features songs “Things I Remember”, “Stumble \u0026amp; Fall”, “L.S.D. (Got A Million Dollars)” and includes new liner notes by Dutch Blues authority Johan Derksen. Begin jaren zestig domineerden de beatbands uit de Randstad de National Hitparade. In het Drentse clubcircuit werd Cuby + Blizzards op posters aangekondigd als 'Beatgroup Number One.’ Maar met dat imago was zanger Harry Muskee niet blij. Hij groeide op met de radiozender The Voice of America, waardoor hij meer kennis van de blues had dan zijn generatiegenoten. Harry Muskee streefde naar een bluesband, hij wilde geen liedjes zingen, zoals hij dat noemde. Hij wilde de blues zingen zoals Howlin’ Wolf, John Lee Hooker en Muddy Waters. De debuut single “Stumble \u0026amp; Fall” werd opgenomen in het Bavohuis, een gymnastieklokaal in Amsterdam, met Addy Kleingeld, uit De Vrolijke Mijnwerkers, als producer. Het debuutalbum uit 1966, Desolation werd in een echte studio, Phonogram in Hilversum, opgenomen met bluesproducer Tony Vos. Het album werd een juweel in de vaderlandse muziekhistorie. Nederland had nog nooit eerder kennisgenomen van een blueszanger die zijn gevoelens zo overtuigend en geloofwaardig de vrije loop liet. 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