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White sand, it has a tendency to get everywhere. Salt water will only dehydrate you more. Shriveled and dry. Scratchy and coarse. More. And then we were lost. Fingers once locked grew distant. Morning, dear. Where have you gone? We looked. A glimpse from afar. Red. We rallied. Shall we share a bottle of wine? Black, lost again. Afternoon, friend. Where were you? Red. Alone. Black. We rallied. Shall we try somewhere new? Sand and salt. Evening, sir. Reservation for one? Reservations a plenty, I say. Evening, miss. Dining alone? Aren't we all? Dining, miss, not dying. Oh, yes, alone. Black. Sand and salt. I found you. No. No. Wait, do I know you? You feel like a dream. Don't touch me. Move along, sir. Who are you? Leave. Who are you? Where did you go? Keep moving. I am, I will. Time to move on. I'm moving! Leave. Don't touch me. Leave. Why are you? Exit. Purple. Orange. Yellow. White. Blue. Morning, dear. Shall we have breakfast? I think I'll sleep some more. But it's our last day. I know. See you downstairs when you're ready. OK. I open up the blinds. A bird breaks the surface tension. Locked in. To Devotion? No. Demise. An inclination. Reverie. Take me there. Where? 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A cosmic field recording from the incubation of this special egg, recorded somewhere between whatever passes for a rainforest in Berlin and deep, infinite space, sat upon lovingly and diligently by Paramida and Alex while in the process of developing a close friendship with its birth-mother – the three of them keeping it collectively warm and preparing to hatch since early lockdown days.\u003c\/p\u003e\r\n\u003cp\u003eThe time, motherfuckers, is now. After a warm, fuzzy beginning, of course, comes a huge, shattering explosion: ‘Rise Up’ is the EP’s first big leap into new territory, turning up the pace considerably and wasting no time in serving up some seriously pounding cosmic techno, LOTR-style, with some unexpected twists and turns halfway through. It’s all in the switches and details here, and they are so good you will want to literally get naked and lick your speakers for momentary sonic relief.\u003c\/p\u003e\r\n\u003cp\u003eUnfortunately for you, ‘Life Begins Now’ doesn’t let up, proceeding with the same intensity but a more house sensibility, with layers of percussion and grooves building off each other into a drop which could easily carry the track, but is really just a tease for another twist that sends this one off fully into intricate, exquisite orbit. ‘Neidan’ brings us slowly back to Earth for another slamming house workout with all the hallmarks of a future LOTR classic: sun on the horizon, cosmic energy to infinity, all your friends together on the dance floor. It doesn’t get better than this.\u003c\/p\u003e\r\n\u003cp\u003ePreviously, the universe was thought of as eternally old, with no start and no growth. Boring. 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Much like 2015’s Garden of Delete, Again germinated as a collaboration between Lopatin’s current and younger selves— this time, a meditation on his musical identity during young adulthood from the perspective of middle age. From there, Lopatin decoupled from the concept, and allowed the album to grow into a ‘illogical period piece’ where memory and fantasy converge to form something entirely new. The album imagines what might have been, as the musician made his music through space and time. Which decisions foreclosed some realities? What might those other worlds have sounded like?\n\nThe album’s artwork features an original sculpture by Matias Falkbakken, conceptualized in concert with Lopatin and photographed by Vegard Kleven. 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