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Graham Lambkin’s fractured texts conjure Folkestone’s haunted coastline—Vikings, the Morgawr, a fading Britain, the pull of the sea—under the sway of Alternative TV’s Vibing Up the Senile Man (Part One), the mechanical vernaculars of Robert Ashley, and the deflated humor of Dad’s Army and It Ain’t Half Hot Mum.\u003c\/p\u003e\r\n\u003cp\u003eOpening the trio’s famed final phase (documented across three releases on Scott Foust’s Swill Radio), Lighthouse finds The Shadow Ring turning away from the glare of the stage and the restlessness of the road. Retreating into the domestic seclusion of Coombe House, they work with field recording and kitchen-table musique concrète, attending closely to the internal structure of each track. Scott Foust, Karla Borecky, and Adris Hoyos—newly installed at Coombe House—all make guest appearances; the latter lends her voice and drums to the D-side, while her newly minted relationship with Graham Lambkin and move to Folkestone haunt the record’s themes. 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Settling in Big Sur, his life took an unexpected turn when an impromptu encounter and jam session with George Harrison and Ravi Shankar inspired the distinctive five-string guitar tuning and Eastern-tinged sound that became the foundation of \"Song Of A Gypsy\". Recorded with guitarist Charlie Carey and a small circle of friends, the album was privately issued on Damon's own Ankh label in an edition believed to total of a few hundred copies across two sleeve variations (single white cover and black gatefold leather textured). With virtually no promotion or distribution, most copies were simply given to friends and family. Decades later, the record was rediscovered by legendary collectors Veronica Breth and Paul Major, sparking a worldwide cult following. Its growing reputation eventually led to acclaimed reissues by Shadoks in 1998, Guerssen Records in 2005 and Now-Again in 2010. 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