USED - Lou Reed - Metal Machine Music (The Amine β Ring)

3345 Second Hand


Format: 2X12

Genre: Electronic

Release Discogs: discogs.com/release/310645


Second-hand 2X12 (Media: Very Good (VG) / Sleeve: Good Plus (G+))

Format: 2X12
Only 1 left
Regular price
€29,99
Regular price
Sale price
€29,99
Low stock (Ships the same day on weekdays if ordered by 15:00)

Info

Condition

Media: Very Good (VG) — Visually and conservatively graded, closer to VG+. Few fingernail marks and scuffs. Light dust too, professional cleaning recommended!
Sleeve: Good Plus (G+) — Some edge wear. Top part is taped. Perforated under "2 RECORD SET". Visible ring wears

Tracklisting

A  Metal Machine Music A-1  16:01
B  Metal Machine Music A-2  16:01
C  Metal Machine Music A-3  16:01
D  Metal Machine Music A-4  16:01

Credits

Cover: Acy Lehman
Cover: Lou Reed
Lacquer Cut By: Bob Ludwig
Liner Notes: Lou Reed
Mastered By: Bob Ludwig
Written-By: Lou Reed

Label: RCA (CPL2-1101), RCA Victor (CPL2-1101)

Notes

"I" stamped in runouts denotes [l=RCA Records Pressing Plant, Indianapolis], pressing. Remainder of runouts mostly etched, mastering/plating stamped. Issued in RCA gatefold jacket. Issued RCA Victor labels. On labels, front cover: "An Electronic Instrumental Composition" Auto-coupled release, disc 1 has sides A/D; disc 2 has sides B/C. Side D ends in a locked groove, label states: 16:01 or ∞. © 1975, RCA Records (...) Printed in U.S.A. Made in U.S.A. ℗ 1975 RCA Records Text on the sleeve: "SPECIFICATIONS Sony 1/2 track Uher 1/4 track Pioneer 1/4 track 5 piggyback Marshall Tube Amps in series Arbitor distortor (Jimi's) Marantz Preamps Marantz Amps Altec Voice of America Monitor Speakers Sennheiser Headphones Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music Rock orientation, melodically disguised, i.e. drag Avoidance of any type of atonality. Electro-Voice high filter microphones Fender Tremolo Unit Sunn Tremolo Unit Ring Modulator/Octave Relay Jump Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white No Synthesizers No Arp No Instruments? --10 db + 57db --20 hz--+30,000 hz --12 hz--+28,000 hz Distortion 0.02 bass and treble ceilings Combinations and Permutations built upon constant harmonic Density Increase and Melodic Distractions. STRICT STEREO SEPARATION No panning No phasing No" Special thanks to Bob Ludwig